Tomasz Bielak
The outlines of military objects drenched in the fog emerge from the black-and-white, half-abstract paintings inspired by photographs. They look like strange, unknown, solitary structures suspended in a vague space, in an unfamiliar landscape. The artist is interested in how the war and its broadly understood physical and aesthetic attributes interfere with the landscape, in natural space; how they arouse terror, while at the same time tempt and entice with their design and technology. It is also a symbolic depiction of human nature, oscillating between good and evil, between aggression and desire for harmony.